Lorem quis bibendum auci Lorem gravida nibh vel velit auctor aliquet. Aenean sollicitudin, lorem quis bibendum auci elit consequat ipsutis sem nibh id elit. Duis sed odio sit amet nibh vulputate cursu. Ut enim ad minim veniam.

Follow me on instagram

© 2016 Your Business Name!

Press

March 2016

Read Article

July 2014

Read Article

November 2014

Read Article

March 2014

Read Article

July 2010

Read Article

January 2011

Read Article

EXHIBITON PRESS

ADDITIONAL LINKS:

nove da Firenze www.nove.firenze.it
il sito di Firenze www.ilsitodifirenze.it
saimicadove.it eventi.saimicadove.it<

All’ Ideal per la prima volta in Italia “Filmscapes”, la mostra della nota artista internazionale Dawn Dudek
Virgilio Firenze firenze.virgilio.it
055news.it www.055news.it
Events: Pisa Airport eventi.pisa-airport.com
Commune di Firenze portalegiovani.comune.fi.it
Toscano oggi www.toscanaoggi.it

CANNES CINEMA presents
Filmscapes: by Dawn Dudek
at the 63rd FESTIVAL DE CANNES.

Exposition du 13 au 22 mai 2010.

Théâtre La Licorne
25, avenue Francis Tonner
06150 Cannes
Heures d’ouvertures durant le festival 9H à 22H.

Kristen T Woodward: Curator’s Comment on ‘Saving Clementine’

The divided frame compositions seem to be referencing film narratives- split second intervals between images revealing the construction of the storyline, and providing visual tension.  For me the strongest in this grouping is Saving Clementine. The female figure’s lurid gaze and posture is dominating and yet almost coyly provocative.  Her raised arm may have been left intentionally ambiguous in the top frame, but it’s unlikely it’s raised in a threatening manner because of the bottom male figure’s passive expression.  It’s also curious that her arm casts a shadow-telling the viewer it’s suspended in space, and not relaxed. The lower image reveals her open hand, but without the inclusion of the rest of the picture, the actions that are transpiring are still unclear.  I keep looking back and forth between the female’s double expression- do I detect a slightly curled change in her smile in the second image, or is this just a slight trick of shadow?  Psychologically, her shock of red hair dissolving into the red slashes of her shirt casts her as an active participant rather than an observer in the scene.  The background shifts slightly, though it doesn’t offer any more clues about the interior space or story. As in more traditional diptyches, the duality of this painting creates diametrical opposition with ironically concordant associations.

Saving Clementine 2007 Acrylic on canvas

2010

2010 December
Feature interview with Proxart.org – Dec. 23, 2010

2010 December
Carpaccio Magazine – ‘The Long Fall’ issue 21

2010 December
Cupcake Magazine – Issue 5

2010 May
RTL radio interview – Cannes Cinephiles Opening, Festival de Cannes
Cannes Cinephiles Catalogue, Festival de Cannes

2010 April
Centre Culturel Canadien France listings
Art Côte d’Azur
Gawker Artists Newsletter – Issue#21

2009

2009 December 
Salon 2009 SNBA Catalogue

2009 September 
Zaragoza Television, Spain.
Presentación de la asociación de pintores y escultores Com2art en el hotel Boston de Zaragoza, video de la inauguración

Culture blog Zaragoza – July 2009

Parcours Art & Vin International 2009 – July 2009

Art Cote d’Azur – April 2009
Trendhunter Magazine – April 2009

pre-2009

Gawker Artists
Juxtapoz Online

2008 December 
Salon 2008 SNBA Catalogue

Press Release for Paris Salon

2007 April 
MC1 – Radio interview

1993 CBC Television
National television interview for solo exhibiton.