January 2013 Glass Magazine: Review
Never Sleep with the Director: And 50 Other Ridiculous Film Rules (Ridiculous Design Rules) [Hardcover]
EXHIBITON PRESS
ADDITIONAL LINKS:
nove da Firenze www.nove.firenze.it
il sito di Firenze www.ilsitodifirenze.it
saimicadove.it eventi.saimicadove.it<
All’ Ideal per la prima volta in Italia “Filmscapes”, la mostra della nota artista internazionale Dawn Dudek
Virgilio Firenze firenze.virgilio.it
055news.it www.055news.it
Events: Pisa Airport eventi.pisa-airport.com
Commune di Firenze portalegiovani.comune.fi.it
Toscano oggi www.toscanaoggi.it
CANNES CINEMA presents
Filmscapes: by Dawn Dudek
at the 63rd FESTIVAL DE CANNES.
Exposition du 13 au 22 mai 2010.
Théâtre La Licorne
25, avenue Francis Tonner
06150 Cannes
Heures d’ouvertures durant le festival 9H à 22H.
–
Kristen T Woodward: Curator’s Comment on ‘Saving Clementine’
The divided frame compositions seem to be referencing film narratives- split second intervals between images revealing the construction of the storyline, and providing visual tension. For me the strongest in this grouping is Saving Clementine. The female figure’s lurid gaze and posture is dominating and yet almost coyly provocative. Her raised arm may have been left intentionally ambiguous in the top frame, but it’s unlikely it’s raised in a threatening manner because of the bottom male figure’s passive expression. It’s also curious that her arm casts a shadow-telling the viewer it’s suspended in space, and not relaxed. The lower image reveals her open hand, but without the inclusion of the rest of the picture, the actions that are transpiring are still unclear. I keep looking back and forth between the female’s double expression- do I detect a slightly curled change in her smile in the second image, or is this just a slight trick of shadow? Psychologically, her shock of red hair dissolving into the red slashes of her shirt casts her as an active participant rather than an observer in the scene. The background shifts slightly, though it doesn’t offer any more clues about the interior space or story. As in more traditional diptyches, the duality of this painting creates diametrical opposition with ironically concordant associations.
Saving Clementine 2007 Acrylic on canvas
2010
2010 December
Feature interview with Proxart.org – Dec. 23, 2010
2010 December
Carpaccio Magazine – ‘The Long Fall’ issue 21
2010 December
Cupcake Magazine – Issue 5
2010 May
RTL radio interview – Cannes Cinephiles Opening, Festival de Cannes
Cannes Cinephiles Catalogue, Festival de Cannes
2010 April
Centre Culturel Canadien France listings
Art Côte d’Azur
Gawker Artists Newsletter – Issue#21
2009
2009 December
Salon 2009 SNBA Catalogue
2009 September
Zaragoza Television, Spain.
Presentación de la asociación de pintores y escultores Com2art en el hotel Boston de Zaragoza, video de la inauguración
Culture blog Zaragoza – July 2009
Parcours Art & Vin International 2009 – July 2009
Art Cote d’Azur – April 2009
Trendhunter Magazine – April 2009
pre-2009
Gawker Artists
Juxtapoz Online
2008 December
Salon 2008 SNBA Catalogue
2007 April
MC1 – Radio interview
1993 CBC Television
National television interview for solo exhibiton.
